雅思阅读考试真题,雅思阅读题库是固定的吗
雅思阅读考试真题?https://liuxue.87dh.com/ 五月初的雅思考试已经结束,真题和答案也已经公布,那么接下来就和小钟老师一起看看2023年5月4日雅思阅读考试真题及答案。那么,雅思阅读考试真题?一起来了解一下吧。
2024雅思真题试卷
您好,我是专注留学考试规划和留学咨询的小钟老师。选择留学是人生重要的决策之一,而作为您的指导,我非常高兴能为您提供最准确的留学解答和规划。无论您的问题是关于考试准备、专业选择、申请流程还是学校信息,我都在这里为您解答。更多留学资讯和学校招生介绍,欢迎随时访问。https://liuxue.87dh.com/
如今4月24日的雅思考试已经完成,对于这一次的雅思考试相信也有很多学生想要了解它的真题,好让自己在之后的考试里能够有所准备。那么小钟老师今天就把这次雅思考试的阅读真题带给大家。
2023年4月24日雅思阅读真题与答案:
Passage 1
主题:海牛
参考答案:
1. nitrogen
2. sensitive bristles
3. trails
4. tufts
5. TRUE
6. FALSE
7. NOT GIVEN
8. FALSE
9. NOT GIVEN
10. dolphin
11. seagrass shortage
12. 1750
13. fishing net
Passage 2
主题:Are artists liars
参考答案:
14. vi
15. ii
16. iv
17. viii
18. i
19. v
20-21. BE
22-23. AE
24. (national) newspaper
25. arms dealers
26. victory
Passage 3
文章题材:议论文(科学)
文章题目:美国手语
文章难度:★★★★
题型及数量:段落信息配对+判断
题目及答案:待补充
可参考真题:剑桥15——TEST4 Passage2 Silbo Gomero - the Whistle 'Language' of the Canary Islands
雅思阅读高分技巧:
雅思阅读高分技巧1.identify the writer’s overall purpose, target audience, sources etc. 辨识作者的写作目的,目标读者,和文章来源
这种阅读技能需要学生从文章的结构,内容,用词通篇考虑。
雅思阅读理解真题及答案
您好,我是专注留学考试规划和留学咨询的小钟老师。选择留学是人生重要的决策之一,而作为您的指导,我非常高兴能为您提供最准确的留学解答和规划。无论您的问题是关于考试准备、专业选择、申请流程还是学校信息,我都在这里为您解答。更多留学资讯和学校招生介绍,欢迎随时访问。https://liuxue.87dh.com/
昨天刚刚结束了最新一期的雅思考试,大家有没有被难倒呢?接下来就跟着小钟老师来看一看2023年9月28日雅思阅读考试真题及答案。
Passage1: 希腊硬币Greek coinage
参考答案:
1. 希腊coin早在3000年就出现了=F
2. T
3. Sparta地区侵略Athens并强制Athens用他们的货币=F
4. Great coins在整个欧洲流传=F
5. Persian 入侵了Lydia并且使用人家的硬币=T
6. 用硬币上的头像来奖励做出杰出贡献的人=NG
7. mint
8. stamps
9. anvil
10. reserve dies
11. 希腊硬币的重量至少=0.15g
12. 硬币的图案=the king的头像
13. 希腊被波斯征服之前的花纹是lion and doil
14. coin 在雅典被称为 owl
Passage2: 悉尼交通标识Street markers in Sydney
Passage3: Musical Maladies
参考答案:
A. Music and the brain are both endlessly fascinating subjects, and as a neuroscientist specializing in auditory learning and memory, I find them especially intriguing. So I had high expectations of Musicophilia, the latest offering from neurologist and prolific author Oliver Sacks. And I confess to feeling a little guilty reporting that my reactions to the book are mixed.
B. Sacks himself is the best part of Musicophilia. He richly documents his own life in the book and reveals highly personal experiences. The photograph of him>C. The preface gives a good idea of what the book will deliver. In it Sacks explains that he wants to convey the insights gleaned from the enormous and rapidly growing body of work>complex and often bizarre disorders to which these are prone." He also stresses the importance of the simple art of observation" and the richness of the human context. He wants to combine observation and description with the latest in technology,” he says, and to imaginatively enter into the experience of his patients and subjects. The reader can see that Sacks, who has been practicing neurology for 40 years, is torn between the old-fashioned path of observation and the new-fangled, high-tech approach: He knows that he needs to take heed of the latter, but his heart lies with the former.
D. The book consists mainly of detailed descriptions of cases, most of them involving patients whom Sacks has seen in his practice. Brief discussions of contemporary neuroscientific reports are sprinkled liberally throughout the text. Part I, Haunted by Music," begins with the strange case of Tony Cicoria, a nonmusical, middle-aged surgeon who was consumed by a love of music after being hit by lightning. He suddenly began to crave listening to piano music, which he had never cared for in the past. He started to play the piano and then to compose music, which arose spontaneously in his mind in a torrent of notes. How could this happen? Was I the cause psychological? (He had had a near-death experience when the lightning struck him.) Or was it the direct result of a change in the auditory regions of his cerebral cortex? Electro-encephalography (EEG) showed his brain waves to be normal in the mid-1990s, just after his trauma and subsequent conversion to music. There are now more sensitive tests, but Cicoria has declined to undergo them; he does not want to delve into the causes of his musicality. What a shame!
E. Part II, “A Range of Musicality,” covers a wider variety of topics,but unfortunately, some of the chapters offer little or nothing that is new. For example, chapter 13, which is five pages long, merely notes that the blind often have better hearing than the sighted. The most interesting chapters are those that present the strangest cases. Chapter 8 is about “ amusia, ” an inability to hear sounds as music, and “dysharmonia,”a highly specific impairment of the ability to hear harmony, with the ability to understand melody left intact. Such specific dissociations are found throughout the cases Sacks recounts.
F. To Sacks's credit, part III, "Memory, Movement and Music," brings us into the underappreciated realm of music therapy. Chapter 16 explains how "melodic intonation therapy" is being used to help expressive aphasic patients (those unable to express their thoughts verbally following a stroke or other cerebral incident)>G. To readers who are unfamiliar with neuroscience and music behavior, Musicophilia may be something of a revelation. But the book will not satisfy those seeking the causes and implications of the phenomena Sacks describes. For>appears to be more at ease discussing patients than discussing experiments. And he tends to be rather uncritical in accepting scientific findings and theories.
H. It's true that the causes of music-brain oddities remain poorly understood. However, Sacks could have done more to draw out some of the implications of the careful observations that he and other neurologists have made and of the treatments that have been successful. For example, he might have noted that the many specific dissociations among components of music comprehension, such as loss of the ability to perceive harmony but not melody, indicate that there is no music center in the brain. Because many people who read the book are likely to believe in the brain localization of all mental functions, this was a missed educational opportunity.
I. Another conclusion>patient. Treatments mentioned seem to be almost exclusively antiepileptic medications, which "damp down" the excitability of the brain in general; their effectiveness varies widely.
J. Finally, in many of the cases described here the patient with music-brain symptoms is reported to have "normal" EEG results. Although Sacks recognizes the existence of new technologies, among them far more sensitive ways to analyze brain waves than the standard neurological EEG test, he does not call for their use. In fact, although he exhibits the greatest compassion for patients, he conveys no sense of urgency about the pursuit of new avenues in the diagnosis and treatment of music-brain disorders. This absence echoes the book's preface, in which Sacks expresses fear that the simple art of observation may be lost" if we rely too much on new technologies. He does call for both approaches, though, and we can only hope that the neurological community will respond.
27-30:B C A A
31-36:YES NG NO NG YES NO
37-40:F B A D
以上信息希望能帮助您在留学申请的道路上少走弯路。
雅思考什么题型
您好,我是专注留学考试规划和留学咨询的小钟老师。在追寻留学梦想的路上,选择合适的学校和专业,准备相关考试,都可能让人感到迷茫和困扰。作为一名有经验的留学顾问,我在此为您提供全方位的专业咨询和指导。欢迎随时提问!https://liuxue.87dh.com/
上周的雅思考试已经顺利结束,真题和答案也已经公布,接下来就和小钟老师看一看2023年6月13日雅思阅读考试真题及答案。
PASSAGE 1
Corporate Social Responsibility
【企业社会责任】
graph A
Main sources of happiness
graph B
Happiness affects health
graph C
Happiness is affected by the comparison with others
graph D
Biological reasons of happiness
graph E
Modern and happiness
6. contributes to long-term happiness
7. we are more satisfied when we earn more than others
8. people can have negative feelings about their local enviornment
9. having a close circle of friends
10. reveals a link between happiness and life expectancy
11. shows that enviornment is not solely responsible for determining how happy
12. is generally stronger in happier people
13. shows that levels of happiness dont necessarily rise with improvements in life
PASSAGE 2
Copy Your Neighbor
【复制你的邻居】
PASSAGE 3
The Rainmaker Design
【喷淋设备设计】
希望以上的答复能对您的留学申请有所帮助。
雅思听力题型分布
您好,我是专注留学考试规划和留学咨询的小钟老师。在追寻留学梦想的路上,选择合适的学校和专业,准备相关考试,都可能让人感到迷茫和困扰。作为一名有经验的留学顾问,我在此为您提供全方位的专业咨询和指导。欢迎随时提问!https://liuxue.87dh.com/
五月初的雅思考试已经结束,真题和答案也已经公布,那么接下来就和小钟老师一起看看2023年5月4日雅思阅读考试真题及答案。
Passage1:Otter
参考答案:
1. 水濑适应性:A
2. 欠发达的能力: B
3. 水濑的成熟阶段: E
4. 水濑成熟特征: C
5. 保护水濑失败: F
6. 水濑如何在冷水中生存: A
7. 保护水濑的法律措施: G
8. 矛盾观点: F
9. salt water
10. Sight
11. Swimming speed
12. Costal otters
13. moles
Passage2:photography
参考答案:
14.担心摄影影响艺术:段B
15.摄影用到的技能:段D
16.艺术家试图模仿照片:段E
17.摄影对艺术和绘画的影响:段G
18.photos which were similar to paintings
19.elements of the composition
20.make the photos blurred
21.make the photos scratched in order to...
22.monochrome pictures
23.False
24.Not Given
25.False
26.Not Given
Passage3:Futurism
CDE
DEF
DEG
希望以上的答复能对您的留学申请有所帮助。
新东方雅思阅读答案pdf
您好,我是专注留学考试规划和留学咨询的小钟老师。在追寻留学梦想的路上,选择合适的学校和专业,准备相关考试,都可能让人感到迷茫和困扰。作为一名有经验的留学顾问,我在此为您提供全方位的专业咨询和指导。欢迎随时提问!https://liuxue.87dh.com/
昨天刚刚结束了最新一期的雅思考试,大家有没有被难倒呢?接下来就跟着小钟老师来看一看2023年9月28日雅思阅读考试真题及答案。
Passage1: 希腊硬币Greek coinage
参考答案:
1. 希腊coin早在3000年就出现了=F
2. T
3. Sparta地区侵略Athens并强制Athens用他们的货币=F
4. Great coins在整个欧洲流传=F
5. Persian 入侵了Lydia并且使用人家的硬币=T
6. 用硬币上的头像来奖励做出杰出贡献的人=NG
7. mint
8. stamps
9. anvil
10. reserve dies
11. 希腊硬币的重量至少=0.15g
12. 硬币的图案=the king的头像
13. 希腊被波斯征服之前的花纹是lion and doil
14. coin 在雅典被称为 owl
Passage2: 悉尼交通标识Street markers in Sydney
Passage3: Musical Maladies
参考答案:
A. Music and the brain are both endlessly fascinating subjects, and as a neuroscientist specializing in auditory learning and memory, I find them especially intriguing. So I had high expectations of Musicophilia, the latest offering from neurologist and prolific author Oliver Sacks. And I confess to feeling a little guilty reporting that my reactions to the book are mixed.
B. Sacks himself is the best part of Musicophilia. He richly documents his own life in the book and reveals highly personal experiences. The photograph of him>C. The preface gives a good idea of what the book will deliver. In it Sacks explains that he wants to convey the insights gleaned from the enormous and rapidly growing body of work>complex and often bizarre disorders to which these are prone." He also stresses the importance of the simple art of observation" and the richness of the human context. He wants to combine observation and description with the latest in technology,” he says, and to imaginatively enter into the experience of his patients and subjects. The reader can see that Sacks, who has been practicing neurology for 40 years, is torn between the old-fashioned path of observation and the new-fangled, high-tech approach: He knows that he needs to take heed of the latter, but his heart lies with the former.
D. The book consists mainly of detailed descriptions of cases, most of them involving patients whom Sacks has seen in his practice. Brief discussions of contemporary neuroscientific reports are sprinkled liberally throughout the text. Part I, Haunted by Music," begins with the strange case of Tony Cicoria, a nonmusical, middle-aged surgeon who was consumed by a love of music after being hit by lightning. He suddenly began to crave listening to piano music, which he had never cared for in the past. He started to play the piano and then to compose music, which arose spontaneously in his mind in a torrent of notes. How could this happen? Was I the cause psychological? (He had had a near-death experience when the lightning struck him.) Or was it the direct result of a change in the auditory regions of his cerebral cortex? Electro-encephalography (EEG) showed his brain waves to be normal in the mid-1990s, just after his trauma and subsequent conversion to music. There are now more sensitive tests, but Cicoria has declined to undergo them; he does not want to delve into the causes of his musicality. What a shame!
E. Part II, “A Range of Musicality,” covers a wider variety of topics,but unfortunately, some of the chapters offer little or nothing that is new. For example, chapter 13, which is five pages long, merely notes that the blind often have better hearing than the sighted. The most interesting chapters are those that present the strangest cases. Chapter 8 is about “ amusia, ” an inability to hear sounds as music, and “dysharmonia,”a highly specific impairment of the ability to hear harmony, with the ability to understand melody left intact. Such specific dissociations are found throughout the cases Sacks recounts.
F. To Sacks's credit, part III, "Memory, Movement and Music," brings us into the underappreciated realm of music therapy. Chapter 16 explains how "melodic intonation therapy" is being used to help expressive aphasic patients (those unable to express their thoughts verbally following a stroke or other cerebral incident)>G. To readers who are unfamiliar with neuroscience and music behavior, Musicophilia may be something of a revelation. But the book will not satisfy those seeking the causes and implications of the phenomena Sacks describes. For>appears to be more at ease discussing patients than discussing experiments. And he tends to be rather uncritical in accepting scientific findings and theories.
H. It's true that the causes of music-brain oddities remain poorly understood. However, Sacks could have done more to draw out some of the implications of the careful observations that he and other neurologists have made and of the treatments that have been successful. For example, he might have noted that the many specific dissociations among components of music comprehension, such as loss of the ability to perceive harmony but not melody, indicate that there is no music center in the brain. Because many people who read the book are likely to believe in the brain localization of all mental functions, this was a missed educational opportunity.
I. Another conclusion>patient. Treatments mentioned seem to be almost exclusively antiepileptic medications, which "damp down" the excitability of the brain in general; their effectiveness varies widely.
J. Finally, in many of the cases described here the patient with music-brain symptoms is reported to have "normal" EEG results. Although Sacks recognizes the existence of new technologies, among them far more sensitive ways to analyze brain waves than the standard neurological EEG test, he does not call for their use. In fact, although he exhibits the greatest compassion for patients, he conveys no sense of urgency about the pursuit of new avenues in the diagnosis and treatment of music-brain disorders. This absence echoes the book's preface, in which Sacks expresses fear that the simple art of observation may be lost" if we rely too much on new technologies. He does call for both approaches, though, and we can only hope that the neurological community will respond.
27-30:B C A A
31-36:YES NG NO NG YES NO
37-40:F B A D
希望以上的答复能对您的留学申请有所帮助。
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