托福tpo56阅读答案？托福考试是一个英语积累的过程，不能急躁，备考方法很重要 。如果你的英语水平已经到了那儿，考试成绩不理想，那是不熟悉题型或做题技巧欠缺的问题。这时要短期提高成绩很容易。那么，托福tpo56阅读答案？一起来了解一下吧。

托福tpo阅读答案25

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对于想要考托福，但是还没有考过托福的同学来说，提前了解有关托福考试的题目是有必要的，下面小钟老师为大家分享有关3月24日托福考试真题以及答案。

一、2023年3月24日托福考试真题答案

2023年3月托福考试真题答案（3月24日）12023年3月24日托福听力真题答案22023年3月24日托福独立写作真题答案32023年3月24日托福口语真题答案思路解析42023年3月24日托福阅读考试文章及真题答案解析小钟老师整理

二、托福考试备考规划

词汇

托福考试的词汇量是比较大的，所以你不可能集中在一周或者一个月全部都掌握，你需要做的是集中学习一段时间，然后每天进行复习。另外在你复习4个科目的同时，你也可以同步进行着托福词汇的积累的工作。

阅读

现在阅读考试有一个很大的特点，试题出现的顺序和文章的段落顺序是一致的，甚至当一个问题涉及到某个段落的时候，他还会有一个箭头，去指向某一个段落。

托福tpo听力

很多考生觉得托福考试有用难度，但只要我们能好好备考，好好准备，相信许多考生都能取得好的成绩。托福栏目为您整理托福阅读长难句解析：恐龙灭绝的原因件，希望能有所帮助哦!

Others have blamed extinction on competition from the mammals, which allegedly ate all the dinosaur eggs--except that mammals and dinosaurs appeared at the same time in the Late Triassic, about 190 million years ago, and there is no reason to believe that mammals suddenly acquired a taste for dinosaur eggs after 120 million years of coexistence. (TPO42, 56)

allegedly/ə'ledʒidli/ adv.据称，据传闻

大家自己先读，不回读，看一遍是否能理解

Others have blamed extinction on competition from the mammals, (which al

legedly ate all the dinosaur eggs)--except (that mammals and dinosaurs appeared at the same time in the Late Triassic, about 190 million years ago, and there is no reason to believe that mammals suddenly acquired a taste for dinosaur eggs after 120million years of coexistence.) (TPO42, 56)

托福阅读长难句100句分析：

这个句子的主干就是：

Others have blamed extinction on competition from the mammals

修饰一：(which allegedly ate all the dinosaur eggs)，从句

中文：据说它们吃掉了所有的恐龙蛋

修饰二：(that mammals and dinosaurs appeared at the same time in the Late Triassic, about 190 million years ago,and there is no reason to believe that mammals suddenly acquired a taste for dinosaur eggs after 120 million years of coexistence.) ，从句

注意这个从句里面还有一个从句：

(that mammals suddenly acquired a taste for dinosaur eggs after 120 million years of coexistence)

中文：哺乳动物和恐龙同时出现在约190万年前的晚三叠世，没理由认为哺乳动物在和恐龙共同生活了120万年之后，忽然爱吃恐龙蛋了。

tpo托福指什么

《新托福TPO真题全解2(TPO27-32)》对TPO27-TPO32进行了详细的解读,每一套题都包含听、说、读、写各部分，具体来说：1)阅读部分：对于每篇文章，不仅精心总结了文章中的重点词汇，而且还对长难句进行了剖析.此外，对于每一道题目都给出了准确透彻的解析，帮助考生考熟悉各种考试题型及篇章题材，有效提高阅读水平及题点准确定位能力，从而使大家的阅读能力与TOEFLiBT做到无缝对接。

扫描/点击获取新托福TPO真题全解2(TPO27-32)

2)听力部分：听力部分分别对Conversation和Lecture进行了解析。Conversation部分包括背景词汇、场景介绍、题目解析;Lecture部分除了重点词汇注释、语篇分析及详细的题目解析外，还总结了讲座的主要内容，帮助考生更好地理解每篇Lecture。考生可以通过书中详细的解读，抓住ETS的命题规律及出题意图，从而使备考更有效。3)口语部分：对于独立口语，书中对每道题目都给出了题型解析、解题方案和答题要点，并给出了地道的高分参考答案拱考生参考学习。而对于综合口语任务，书中给出了每篇阅读和听力文章的答题要点，并提供了详细的笔记及流畅地道的参考答案。

托福tpo就是真题吗

下面是一篇托福TPO阅读真题，这篇托福阅读真题的主要内容是关于欧洲的岩洞艺术的相关信息。欧洲的岩洞艺术已经有几万年的历史了，这些岩洞艺术反映出了当初人们的什么文化，这些艺术有什么作用呢?下面是详细内容。

The earliest discovered traces of art are beads and carvings, and then paintings, from sites dating back to the Upper Paleolithic period. We might expect that early artistic efforts would be crude, but the cave paintings of Spain and southern France show a marked degree of skill. So do the naturalistic paintings on slabs of stone excavated in southern Africa. Some of those slabs appear to have been painted as much as 28,000 years ago, which suggests that painting in Africa is as old as painting in Europe. But painting may be even older than that. The early Australians may have painted on the walls of rock shelters and cliff faces at least 30,000 years ago, and maybe as much as 60,000 years ago.

The researchers Peter Ucko and Andree Rosenfeld identified three principal locations of paintings in the caves of western Europe: (1) in obviously inhabited rock shelters and cave entrances; (2) in galleries immediately off the inhabited areas of caves; and (3) in the inner reaches of caves, whose difficulty of access has been interpreted by some as a sign that magical-religious activities were performed there.

The subjects of the paintings are mostly animals. The paintings rest on bare walls, with no backdrops or environmental trappings. Perhaps, like many contemporary peoples, Upper Paleolithic men and women believed that the drawing of a human image could cause death or injury, and if that were indeed their belief, it might explain why human figures are rarely depicted in cave art. Another explanation for the focus on animals might be that these people sought to improve their luck at hunting. This theory is suggested by evidence of chips in the painted figures, perhaps made by spears thrown at the drawings. But if improving their hunting luck was the chief motivation for the paintings, it is difficult to explain why only a few show signs of having been speared. Perhaps the paintings were inspired by the need to increase the supply of animals. Cave art seems to have reached a peak toward the end of the Upper Paleolithic period, when the herds of game were decreasing.

The particular symbolic significance of the cave paintings in southwestern France is more explicitly revealed, perhaps, by the results of a study conducted by researchers Patricia Rice and Ann Paterson. The data they present suggest that the animals portrayed in the cave paintings were mostly the ones that the painters preferred for meat and for materials such as hides. For example, wild cattle (bovines) and horses are portrayed more often than we would expect by chance, probably because they were larger and heavier (meatier) than other animals in the environment. In addition, the paintings mostly portray animals that the painters may have feared the most because of their size, speed, natural weapons such as tusks and horns, and the unpredictability of their behavior. That is, mammoths, bovines, and horses are portrayed more often than deer and reindeer. Thus, the paintings are consistent with the idea that the art is related to the importance of hunting in the economy of Upper Paleolithic people. Consistent with this idea, according to the investigators, is the fact that the art of the cultural period that followed the Upper Paleolithic also seems to reflect how people got their food. But in that period, when getting food no longer depended on hunting large game animals (because they were becoming extinct), the art ceased to focus on portrayals of animals.

Upper Paleolithic art was not confined to cave paintings. Many shafts of spears and similar objects were decorated with figures of animals. The anthropologist Alexander Marshack has an interesting interpretation of some of the engravings made during the Upper Paleolithic. He believes that as far back as 30.000 B.C., hunters may have used a system of notation, engraved on bone and stone, to mark phases of the Moon. If this is true, it would mean that Upper Paleolithic people were capable of complex thought and were consciously aware of their environment. In addition to other artworks, figurines representing the human female in exaggerated form have also been found at Upper Paleolithic sites. It has been suggested that these figurines were an ideal type or an expression of a desire for fertility.

Paragraph 1: The earliest discovered traces of art are beads and carvings, and then paintings, from sites dating back to the Upper Paleolithic period. We might expect that early artistic efforts would be crude, but the cave paintings of Spain and southern France show a marked degree of skill. So do the naturalistic paintings on slabs of stone excavated in southern Africa. Some of those slabs appear to have been painted as much as 28,000 years ago, which suggests that painting in Africa is as old as painting in Europe. But painting may be even older than that. The early Australians may have painted on the walls of rock shelters and cliff faces at least 30,000 years ago, and maybe as much as 60,000 years ago.

1.The word “marked” in the passage is closest in meaning to

○Considerable○Surprising○Limited○Adequate

2.Paragraph 1 supports which of the following statements about painting in Europe?

○It is much older than painting in Australia.

○It is as much as 28,000 years old.

○It is not as old as painting in southern Africa.

○It is much more than 30,000 years old.

Paragraph 2：The researchers Peter Ucko and Andree Rosenfeld identified three principal locations of paintings in the caves of western Europe: (1) in obviously inhabited rock shelters and cave entrances; (2) in galleries immediately off the inhabited areas of caves; and (3) in the inner reaches of caves, whose difficulty of access has been interpreted by some as a sign that magical-religious activities were performed there.

3.The word “principal” in the passage is closest in meaning to

○Major○Likely○Well protected○Distinct

4.According to paragraph 2, what makes some researchers think that certain cave paintings were connected with magical-religious activities?

○The paintings were located where many people could easily see them, allowing groups of people to participate in the magical-religious activities.

○Upper Paleolithic people shared similar beliefs with contemporary peoples who use paintings of animals in their magical-religious rituals.

○Evidence of magical-religious activities has been found in galleries immediately off the inhabited areas of caves.

○The paintings were found in hard-to-reach places away from the inhabited parts of the cave.

Paragraph 3：The subjects of the paintings are mostly animals. The paintings rest on bare walls, with no backdrops or environmental trappings. Perhaps, like many contemporary peoples, Upper Paleolithic men and women believed that the drawing of a human image could cause death of injury, and if that were indeed their belief, it might explain why human figures are rarely depicted in cave art. Another explanation for the focus on animals might be that these people sought to improve their luck at hunting. This theory is suggested by evidence of chips in the painted figures, perhaps made by spears thrown at the drawings. But if improving their hunting luck was the chief motivation for the paintings, it is difficult to explain why only a few show signs of having been speared. Perhaps the paintings were inspired by the need to increase the supply of animals. Cave art seems to have reached a peak toward the end of the Upper Paleolithic period, when the herds of game were decreasing.

5.The word “trappings” in the passage is closest in meaning to

○Conditions○Problems○Influences○Decorations

6. Which of the sentences below best expresses the essential information in the highlighted sentence in the passage? Incorrect choices change the meaning in important ways or leave out essential information.

○Upper Paleolithic people, like many contemporary peoples, believed that if they drew a human image in their cave art, it would cause death or injury.

○Many contemporary people believe that the drawing of a human image can cause death or injury, so they, like Upper Paleolithic people, rarely depicted human figures in their cave art.

○If Upper Paleolithic people, like many contemporary peoples, believed that the drawing of a human image could cause death or injury, this belief might explain why human figures are rarely depicted in cave art.

○Although many contemporary peoples believe that the drawing of a human image can cause death or injury, researchers cannot explain why Upper Paleolithic people rarely depicted human figures in their cave art.

7.According to paragraph 3, scholars explained chips in the painted figures of animals by proposing that

○Upper Paleolithic artists used marks to record the animals they had seen

○the paintings were inspired by the need to increase the supply of animals for hunting

○the artists had removed rough spots on the cave walls

○Upper Paleolithic people used the paintings to increase their luck at hunting

8.Why does the author mention that Upper Paleolithic cave art seemed to have “reached a peak toward the end of the Upper Paleolithic period, when the herds of game were decreasing”?

○To argue that Upper Paleolithic art creased to include animals when herds of game became scarce

○To provide support for the idea that the aim of the paintings was to increase the supply of animals for hunting

○To emphasize the continued improvement in the quality of cave art throughout the Upper Paleolithic period

○To show the direct connection between the decrease in herds of game and the end of the Upper Paleolithic period

Paragraph 4：The particular symbolic significance of the cave paintings in southwestern France is more explicitly revealed, perhaps, by the results of a study conducted by researchers Patricia Rice and Ann Paterson. The data they present suggest that the animals portrayed in the cave paintings were mostly the ones that the painters preferred for meat and for materials such as hides. For example, wild cattle (bovines) and horses are portrayed more often than we would expect by chance, probably because they were larger and heavier (meatier) than other animals in the environment. In addition, the paintings mostly portray animals that the painters may have feared the most because of their size, speed, natural weapons such as tusks and horns, and the unpredictability of their behavior. That is, mammoths, bovines, and horses are portrayed more often than deer and reindeer. Thus, the paintings are consistent with the idea that the art is related to the importance of hunting in the economy of Upper Paleolithic people. Consistent with this idea, according to the investigators, is the fact that the art of the cultural period that followed the Upper Paleolithic also seems to reflect how people got their food. But in that period, when getting food no longer depended on hunting large game animals (because they were becoming extinct), the art ceased to focus on portrayals of animals.

9.According to paragraph 4, scholars believe that wild cattle, horses, and mammoths are the animals most frequently portrayed in cave paintings for all of the following reasons EXPECT:

○These animals were difficult to hunt because their unpredictable behavior.

○People preferred these animals for their meat and for their skins.

○The painters admired the beauty of these large animals.

○People feared these animals because of their size and speed.

10.According to paragraph 4, which of the following may best represent the attitude of hunters toward deer and reindeer in the Upper Paleolithic period?

○Hunters did not fear deer and reindeers as much as they did large game animals such as horses and mammoths.

○Hunters were not interested in hunting deer and reindeer because of their size and speed.

○Hunters preferred the meat and hides of deer and reindeer to those of other animals.

○Hunters avoided deer and reindeer because of their natural weapons, such as horns.

11.According to paragraph 4, what change is evident in the art of the period following the Upper Paleolithic?

○This new art starts to depict small animals rather than large ones.

○This new art ceases to reflect the ways in which people obtained their food.

○This new art no longer consists mostly of representations of animals.

○This new art begins to show the importance of hunting to the economy.

Paragraph 5：Upper Paleolithic art was not confined to cave paintings. Many shafts of spears and similar objects were decorated with figures of animals. The anthropologist Alexander Marshack has an interesting interpretation of some of the engravings made during the Upper Paleolithic. He believes that as far back as 30.000 B.C., hunters may have used a system of notation, engraved on bone and stone, to mark phases of the Moon. If this is true, it would mean that Upper Paleolithic people were capable of complex thought and were consciously aware of their environment. In addition to other artworks, figurines representing the human female in exaggerated form have also been found at Upper Paleolithic sites. It has been suggested that these figurines were an ideal type or an expression of a desire for fertility.

12.According to paragraph 5, which of the following has been used as evidence to suggest that Upper Paleolithic people were capable of complex thought and conscious awareness of their environment?

○They engraved animal figures on the shafts of spears and other objects.

○They may have used engraved signs to record the phases of the Moon.

○Their figurines represented the human female in exaggerated form.

○They may have used figurines to portray an ideal type or to express a desire for fertility.

Paragraph 3：The subjects of the paintings are mostly animals. The paintings rest on bare walls, with no backdrops or environmental trappings. Perhaps, like many contemporary peoples, Upper Paleolithic men and women believed that the drawing of a human image could cause death of injury, and if that were indeed their belief, it might explain why human figures are rarely depicted in cave art. Another explanation for the focus on animals might be that these people sought to improve their luck at hunting.█ This theory is suggested by evidence of chips in the painted figures, perhaps made by spears thrown at the drawings. █ But if improving their hunting luck was the chief motivation for the paintings, it is difficult to explain why only a few show signs of having been speared. █ Perhaps the paintings were inspired by the need to increase the supply of animals. Cave art seems to have reached a peak toward the end of the Upper Paleolithic period, when the herds of game were decreasing. █

13.Look at the four squares [█] that indicate where the following sentence could be added to the passage.

Therefore, if the paintings were connected with hunting, some other explanation is needed.

Where would the sentence best fit?

14.Directions: An introductory sentence for a brief summary of the passage is provided below. Complete the summary by selecting the THREE answer choices that explain the most important ideas in the passage. Some sentences do not belong in the summary because they express ideas that are not presented in the passage or are minor ideas in the passage. This question is worth 2 points.

Upper Paleolithic cave paintings in Western Europe are among humanity’s earliest artistic efforts.

Answer choices

○Researchers have proposed several different explanations for the fact that animals were the most common subjects in the cave paintings.

○The art of the cultural period that followed the Upper Paleolithic ceased to portray large game animals and focused instead on the kinds of animals that people of that period preferred to hunt.

○Some researchers believe that the paintings found in France provide more explicit evidence of their symbolic significance than those found in Spain, southern Africa, and Australia.

○The cave paintings focus on portraying animals without also depicting the natural environments in which these animals are typically found.

○Some researchers have argued that the cave paintings mostly portrayed large animals that provided Upper Paleolithic people with meat and materials.

○Besides cave paintings, Upper Paleolithic people produced several other kinds of artwork, one of which has been thought to provide evidence of complex thought.

参考答案：

1. ○1

2. ○2

3. ○1

4. ○4

5. ○4

6. ○3

7. ○4

8.○2

9. ○3

10. ○1

11. ○3

12. ○2

13. ○3

14. ○1 5 6

参考译文

托福口语tpo26

托福TPO1-24+听力文本+综合写作阅读听力+答案。。。已发送。。

我发的tpo有2个版本。。。一个是pps版。。一个是软件版。。。

pps使用方式和正式考试有点小区别。。算分有点烦。。但是使用方便，跳题比较方便，而且答案基本正确。。。

这个软件版免安装，界面非常真实。。几乎和正式考试一模一样。。

有练习和测试模式。。可以自动算分。。而且阅读有答案详解。。听力有文本。。口语还可以自动录音。。

但是有个有个缺点。。。答案有些有问题。。。所以又发了一份答案给你。。如果不会用。。压缩包里有使用说明。。

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